![]() So there was a four- or five-month break period. "So it was a crazy time when he left, and then my dad passed away, and it was just kind of like a whole shutdown, so I moved back home immediately after that, and I just wasn't making any more music. was really sick at the time also, and he got taken away to be hospitalized because it was getting too out of control for my mother," Mandowa says. "That was a really intense time it was last year. His father died in the middle of the project, at which point he returned home and stopped making music. I've used tape peeling off something and the door-slamming of a microwave before."Ĭreating Ardour was not without its share of challenges for the 23-year-old producer. "I have a machine called an SP 404 - it's a little sampler with a built-in mic, and I record everything into there and keep re-affecting it there and then into a computer. "You're hearing a harp, shakers, recorded drum taps. As Mandowa listens to the song "Double Fifths" with Weekend All Things Considered host Guy Raz, he points out the elements that go into each of his productions. "But as time went on - and more kids had equipment to make their own things but not the proper vocals to fit their music - they started filling in the gaps."Ī number of things can fill these gaps, he says - some conventional, others not so much. "It kind of stems from hip-hop, or people doing production for rappers," he says. This type of music has often been described as "beat music" - a style that originated in Los Angeles with producers such as Flying Lotus. "Calypso is more fast-paced," he says, "but this happy nature, being on an island, it related right back into the music that I was making."
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